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Red Fez Books - 'No Beer On a Dead Planet' - Book by Jono Coote

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Red Fez Books - 'No Beer On a Dead Planet' - Book by Jono Coote

Red Fez Books - 'No Beer On a Dead Planet' - Book by Jono Coote

JONO COOTE - NO BEER ON A DEAD PLANET BOOK

Key Features - 

  • Paperback
  • 120 pages
  • Published by Red Fez Books
  • Chapter Head illustrations by Lewis Brownlie
  • 10% of profits will be donated to The Ben Raemers Foundation
  • ISBN: 978-1-8383421-0-4

Blurb - 

'No Beer on a Dead Planet chronicles Jono Coote's travels through the skateparks, hinterlands, industrial wastelands and suburban sprawls of modern day Australia and New Zealand. 

Set against a chaotic background of skateboarding's mainstream acceptance, looming Olympic inclusion, climate change, institutional racism, the decline of Western civilisation and religiously observant dogs, it attempts to capture a sense of why skateboarders are traditionally such a nomadic tribe and how that affects our experiences of travel. From the drunken excesses of Brisbane skate-house parties to the spiritual epiphanies offered by Milford Sound, and from Instagram-obsessed skatepark mums in Melbourne to bigoted ex-cops in Newcastle, this is Antipodean life seen through a lens of skateboarding culture at a crucial point of change for both Australasia and for skateboarding's culture itself.'

 

$4.66

Original: $13.32

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Red Fez Books - 'No Beer On a Dead Planet' - Book by Jono Coote—

$13.32

$4.66

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JONO COOTE - NO BEER ON A DEAD PLANET BOOK

Key Features - 

  • Paperback
  • 120 pages
  • Published by Red Fez Books
  • Chapter Head illustrations by Lewis Brownlie
  • 10% of profits will be donated to The Ben Raemers Foundation
  • ISBN: 978-1-8383421-0-4

Blurb - 

'No Beer on a Dead Planet chronicles Jono Coote's travels through the skateparks, hinterlands, industrial wastelands and suburban sprawls of modern day Australia and New Zealand. 

Set against a chaotic background of skateboarding's mainstream acceptance, looming Olympic inclusion, climate change, institutional racism, the decline of Western civilisation and religiously observant dogs, it attempts to capture a sense of why skateboarders are traditionally such a nomadic tribe and how that affects our experiences of travel. From the drunken excesses of Brisbane skate-house parties to the spiritual epiphanies offered by Milford Sound, and from Instagram-obsessed skatepark mums in Melbourne to bigoted ex-cops in Newcastle, this is Antipodean life seen through a lens of skateboarding culture at a crucial point of change for both Australasia and for skateboarding's culture itself.'

 

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